The COE, Sir Antonio Pappano and Lisa Batiashvili
13-24 May 2018

Introduction

From 13 to 24 May 2018, the Chamber Orchestra of Europe, conductor Sir Antonio Pappano and violinist Lisa Batiashvili perform seven concerts in Italy, France and Switzerland, featuring Ligeti’s Concerto Romanesc and Brahms’s Violin Concerto and Serenade No. 1.

Since our first project at the Gulbenkian Foundation in Lisbon with Lisa Batiashvili back in 2008, we have performed with her almost every year with conductors including Yannick Nézet-Séguin, Osmo Vänskä, Sakari Oramo and Semyon Bychkov. In February 2017, following our Mendelssohn Symphony cycle with Yannick, we recorded Prokofiev’s Violin Concerto No. 2 with Lisa as part of a CD that was released in February 2018 by Deutsche Grammophon. We are delighted to be working with Lisa again; she said: “This is the orchestra I have the biggest admiration for. Each member is a unique musician and it feels like they all share wisdom, knowledge, good taste and a great instinct for music. I find it remarkable that in certain symphonies, which can often sound very heavy and grounded, COE, with its round and warm tone, brings its special, natural genius for music making to every work – this is so rare to find.” We will be working with Lisa again in June, this time under the baton of Yannick Nézet-Séguin.

This will be our second project with Sir Antonio Pappano, with whom we worked for the first time in March 2016. Together, we travelled to Italy, France and Belgium and performed works by Bizet, Fauré, Mozart, as well as Richard Strauss’s oboe concerto featuring Lisa’s husband and former principal oboe of the COE, François Leleux.

 

Sir Antonio Pappano

One of today’s most sought-after conductors, acclaimed for his charismatic leadership and inspirational performances in both symphonic and operatic repertoire, Sir Antonio Pappano has been Music Director of the Royal Opera House Covent Garden since 2002, and Music Director of the Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome since 2005. Nurtured as a pianist, repetiteur and assistant conductor at many of the most important opera houses of Europe and North America, including at the Lyric Opera of Chicago and several seasons at the Bayreuth Festival as musical assistant to Daniel Barenboim for productions of Tristan und Isolde, Parsifal and Der Ring des Nibelungen, Pappano was appointed Music Director of Oslo’s Den Norske Opera in 1990, and from 1992-2002 served as Music Director of the Théâtre Royal de la Monnaie in Brussels. From 1997-1999 he was Principal Guest Conductor of the Israel Philharmonic Orchestra.

Pappano made his debut at the Vienna Staatsoper in 1993, replacing Christoph von Dohnànyi at the last minute in a new production of Wagner’s Siegfried, his debut at the Metropolitan Opera New York in 1997 with a new production of Eugene Onegin, and in 1999 he conducted a new production of Lohengrin at the Bayreuth Festival. He has worked at the San Francisco Opera, Lyric Opera of Chicago, Théâtre du Châtelet and Staatsoper Berlin, and highlights of recent seasons include his operatic debut at the Salzburg Festival (Don Carlo) and the Teatro alla Scala (Les Troyens). His repertoire at the Royal Opera House has been notably wide-ranging, generating acclaim in productions including Ariadne auf Naxos, Wozzeck, Falstaff, La Bohème, Don Giovanni, Aida, Lady Macbeth of Mtsensk, Il Trittico, Fidelio, Parsifal, Il barbiere di Siviglia, Der Ring des Nibelungen, Lulu, Les Vêpres Siciliennes, Guillaume Tell, Andrea Chenier and Szymanowski’s Król Roger, Birtwistle’s The Minotaur and Turnage’s Anna Nicole. Recently he has lead new productions of Boris Godunov, Cavalleria Rusticana and I Pagliacci, Norma and Otello, and revivals of Manon Lescaut and Die Meistersinger von Nurnberg. In the 17/18 season and beyond he conducts new productions of La Boheme and Semiramide, and revivals of Macbeth, Lady Macbeth of Mtsensk, and Der Ring des Nibelungen.

Pappano has appeared as a guest conductor with many of the world’s most prestigious orchestras, including the Berlin, Vienna, New York and Munich Philharmonic Orchestras, the Royal Concertgebouw Orchestra, the Chicago and Boston Symphonies, the Philadelphia and Cleveland Orchestras and the Orchestre de Paris. He maintains a particularly strong relationship with the London Symphony Orchestra, conducting them annually at their home in London’s Barbican Hall, and widely on tour. Recent highlights include his debuts with the Chamber Orchestra of Europe and the London Philharmonic at the Aldeburgh Festival, and performances at the BBC Proms and Bucharest Festival with the Accademia Nazionale di Santa Cecilia, and his debut with the Verbier Festival Orchestra. Future appearances include his debut with the Staatskapelle Dresden and the Bavarian Radio Symphony, return visits to the Berlin and New York Philharmonics, the Royal Concertgebouw Orchestra and Staatskapelle Berlin, and tours of Europe, Asia and the US with the Accademia Nazionale di Santa Cecilia.

Pappano has been an exclusive recording artist for Warner Classics (formerly EMI Classics) since 1995, and his discography features numerous complete operas, including Don Carlo, La Rondine, La Bohème, Guillaume Tell, Il Trittico, Massenet’s Werther and Manon, Madama Butterfly, Tosca, Il Trovatore, Tristan und Isolde, and most recently Aida, hailed as “unmissable” (The Sunday Times), “a triumph” (BBC Radio 3), “a magnificent achievement, of rare accomplishment” (Gramophone). His orchestral recordings with the Accademia Nazionale di Santa Cecilia include Rachmaninov’s 2nd, Mahler’s 6th, Dvorak’s 9th and Tchaikovsky’s 4th, 5th and 6th symphonies, Respighi’s Roman Trilogy, Rossini’s Stabat Mater, Petite Messe Solenelle and selected Overtures, Britten’s War Requiem, and Verdi’s Requiem, and his discography also documents his work with other ensembles including the London Symphony and Berlin Philharmonic Orchestras, and the orchestras of the Royal Opera House and the Théâtre Royal de la Monnaie, in music ranging from Pergolesi and Mendelssohn through to Panufnik, Boesmans and Maxwell Davies. Numerous productions from the Royal Opera House have been released on DVD, including Carmen, Les Troyens, Parsifal, Simon Boccanegra, Le nozze di Figaro, and Manon Lescaut. His recordings have received extensive accolades including Classic BRIT, ECHO Klassik, BBC Music Magazine and Gramophone Awards.

As a pianist, Antonio Pappano appears as an accompanist with some of the most celebrated singers, including Joyce DiDonato, Gerald Finley and Ian Bostridge. He has also partnered singers and instrumental soloists on disc, including in operatic recitals with Nina Stemme, Placido Domingo, Anna Netrebko and Jonas Kaufmann, concerto recordings with soloists including Leif Ove Andsnes, Maxim Vengerov, Janine Jansen, Jan Lisiecki and Beatrice Rana, and chamber recitals with Ian Bostridge, Barbara Bonney and Joyce DiDonato.Antonio Pappano was born in London to Italian parents, and moved with his family to the United States at the age of 13. His awards and honours include Gramophone’s ‘Artist of the Year’ in 2000, the 2003 Olivier Award for Outstanding Achievement in Opera, the 2004 Royal Philharmonic Society Music Award, and the Bruno Walter prize from the Académie du Disque Lyrique in Paris. In 2012 he was created a Cavaliere di Gran Croce of the Republic of Italy, and a Knight of the British Empire for his services to music, and in 2015 he was named the 100th recipient of the Royal Philharmonic Society’s Gold Medal, the body’s highest honour. He has also developed a notable career as a speaker and presenter, and has fronted several critically-acclaimed BBC Television documentaries including ‘Opera Italia’, ‘Pappano’s Essential Ring Cycle’ and ‘Pappano’s Classical Voices’.

Antonio Pappano was born in London to Italian parents, and moved with his family to the United States at the age of 13. His awards and honours include Gramophone’s ‘Artist of the Year’ in 2000, the 2003 Olivier Award for Outstanding Achievement in Opera, the 2004 Royal Philharmonic Society Music Award, and the Bruno Walter prize from the Académie du Disque Lyrique in Paris. In 2012 he was created a Cavaliere di Gran Croce of the Republic of Italy, and a Knight of the British Empire for his services to music, and in 2015 he was named the 100th recipient of the Royal Philharmonic Society’s Gold Medal, the body’s highest honour. He has also developed a notable career as a speaker and presenter, and has fronted several critically-acclaimed BBC Television documentaries including ‘Opera Italia’, ‘Pappano’s Essential Ring Cycle’ and ‘Pappano’s Classical Voices’.

 

Lisa Batiashvili

Lisa Batiashvili, Musical America’s 2015 Instrumentalist of the Year, is this season’s Artist-in-Residence with the Accademia Nazionale di Santa Cecilia (Rome). Praised by audiences and fellow musicians for her virtuosity and “profound sensitivity” (Financial Times), the Georgian-born violinist, who has lived in Germany for over 25 years, has developed long-standing relationships with some of the world’s leading orchestras, including the New York Philharmonic, Staatskapelle Berlin, Berliner Philharmoniker, Tonhalle-Orchester Zürich, Chamber Orchestra of Europe, and London Symphony Orchestra.

In the 2017/18 season Lisa will perform the UK premiere of Anders Hillborg’s Violin Concerto No.2 with the BBC Symphony Orchestra (Sakari Oramo). As part of her residency with Accademia Nazionale di Santa Cecilia, she will perform concertos by Tchaikovsky (Antonio Pappano), and Prokofiev (Manfred Honeck), as well as Bach’s Concerto for Violin and
Oboe (François Leleux). Lisa will debut with the Orpheus Chamber Orchestra in Carnegie Hall, and tour Europe with the Gustav Mahler Jugendorchester (Vladimir Jurowski and Lorenzo Viotti), the Chamber Orchestra of Europe (Antonio Pappano), and Staatskapelle Dresden (Alan Gilbert). Other performance highlights include the Orchestre Philharmonique de Radio France (Mirga Gražinytė-Tyla), Münchner Philharmoniker (Alan Gilbert), and Sydney Symphony Orchestra (Dima Slobodeniouk).

Recording exclusively for Deutsche Grammophon, Lisa’s latest album, a recording of the Tchaikovsky and Sibelius violin concertos with Daniel Barenboim and Staatskapelle Berlin, received international critical acclaim.

Lisa has been awarded two ECHO Klassik awards, the MIDEM Classical Award, the Choc de l’année, the Accademia Musicale Chigiana International Prize, the Schleswig-Holstein Music Festival’s Leonard Bernstein Award and the Beethoven-Ring.

Lisa lives in Munich and plays a Joseph Guarneri “del Gesu” from 1739, generously loaned by a private collector.

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