Mozartfest 2022 with François Leleux
23-28 May 2022
The Chamber Orchestra of Europe is delighted to be working with François Leleux again, after our last project at this year’s Salzburg Mozartwoche was unfortunately cancelled due to the spread of the Omicron variant. François is very special to all of us at the COE as he was our principal oboe for a number of years. Like a number of wind players at the COE over the years – Thierry Fischer, Dougie Boyd, Jaime Martin – he developed his career as a conductor and is now Artistic Partner of Camerata Salzburg and Artist-in-Residence at the City of Birmingham Symphony Orchestra. Over the years, we have played many concerts with François as a soloist, the most recent being a concert with conductor Andrew Manze at the Mozartwoche 2020 in Salzburg where François performed Mozart’s Oboe Concerto. Some of the COE projects with François have also involved his wife, violinist Lisa Batiashvili, whether François was within the Orchestra or performing as a soloist as well – for example at the Mostly Mozart Festival 2012 in New York where François and lisa and, with both artists, the COE recorded a CD of works by JS Bach for Sony Classical in 2007. Other highlights included a tour to Italy, France and Belgium with Sir Antonio Pappano in 2016 where François performed Strauss’s Oboe Concerto and in 2005, an extensive tour of Japan with violinists Akiko Suwanai and Cho-Liang with François featuring in works by Bach and Veress.
This time, François will perform his own arrangements for oboe and orchestra of arias from Mozart’s operas The Magic Flute and Don Giovanni, as well as Cimarosa’s Concerto for Oboe and Strings. Widmann’s Aria for violin, viola and eleven strings (only in Augsburg), Haydn’s Symphony No. 22 and Mozart’s Symphony No. 28 will be directed from her seat by the COE Leader on this tour, Maria Wloszczowska.
At the Mozartfest in Würzburg, COE cellist Kate Gould will perform Le Corps des Cordes for Violoncello Solo by Isabel Mundry, who is “artiste-étoile” at this year’s Mozartfest. Physicality and body awareness are terms that Isabel Mundry gives as important keywords for her compositions. “I could never write a note that didn’t pass through my fingers and through my skin.” Kate shares her reaction to learning Le Corps des cordes: “I can honestly say I have never played anything like it before. Mundry has a highly individual compositional style that produces music that is hyper-sensitive and volatile. Each of the elements – pitch, tone colour, rhythm, dynamics – is exceptionally unpredictable and fragile. I imagine the random movements of microscopic lifeforms in absolute contrast to anything mechanical or repetitive.
François Leleux – conductor and oboist – is renowned for his irrepressible energy and exuberance. He is currently Artistic Partner of Camerata Salzburg. Leleux was previously Artist-in-Association with Orchestre de Chambre de Paris and has featured as Artist-in-Residence with orchestras such as hr-Sinfonieorchester, Orchestre Philharmonique de Strasbourg, Berner Symphonieorchester, Norwegian Chamber Orchestra, and Orquesta Sinfónica de Tenerife.
In the 2021/22 season, Leleux returns as conductor to Orchestra della Svizzera Italiana, BBC Scottish Symphony, Hungarian National Philharmonic Orchestra, Camerata Salzburg, Chamber Orchestra Europe, City of Birmingham Symphony Orchestra, Scottish Chamber Orchestra, Nederlands Chamber Orkest and Orchestre de Chambre de Paris. He has previously conducted orchestras such as Oslo Philharmonic, HR and WDR Sinfonieorchester, Orchestre National de Lille, Swedish Chamber Orchestra, and the Sydney, Gulbenkian, Swedish Radio and Tonkünstler orchestras.
As an oboist, Leleux has performed as soloist with orchestras such as New York Philharmonic, Deutsches Symphonie-Orchester Berlin, Royal Stockholm Philharmonic, Royal Liverpool Philharmonic, Budapest Festival Orchestra, and the Swedish Radio and the NHK symphony orchestras. A dedicated chamber musician, he regularly performs worldwide with sextet Les Vents Français and with recital partners Lisa Batiashvili, Eric Le Sage and Emmanuel Strosser.
Committed to expanding the oboe’s repertoire, Leleux has commissioned many new works from composers such as Nicolas Bacri, Michael Jarrell, Giya Kancheli, Thierry Pécou, Gilles Silvestrini and Eric Tanguy. In recent seasons, he has premiered the cor anglais version of Debussy’s Rapsodie for saxophone, arranged especially for him by Silvestrini (2017/18); Jarrell’s oboe concerto Aquateinte (2016/17); and Thierry Escaich’s Double Concerto for Violin and Oboe, whose premiere performances Leleux and his wife Lisa Batiashvili gave with NDR Elbphilharmonie Orchester and New York Philharmonic.
Leleux’s latest recording, ‘Bienvenue en France’, released on Warner Classics is a collaboration with pianist Emmanuel Strosser featuring 20th century French composers including Saint-Saëns, Dutilleux and Debussy and the contemporary Thierry Pécou. As a conductor, Leleux and the Scottish Chamber Orchestra released an album of works by Bizet and Gounod for Linn Records in 2019. His album of works by Hummel and Haydn, recorded with Münchener Kammerorchester, received award recognition in 2016. Other recordings include works by J.S. Bach with the Chamber Orchestra of Europe, Mozart with Camerata Salzburg, and Strauss’s Oboe Concerto with Swedish Radio Symphony Orchestra under Daniel Harding.
François Leleux is a Professor at the Hochschule für Musik und Theater München.
Kate Gould has an exciting and varied international performing career. During her studies at the Royal Academy of Music she formed the Leopold String Trio, which rocketed to fame through the numerous prizes and awards it achieved, including Young Concert Artists Trust, ECHO Rising Stars, Royal Philharmonic Award, BBC New Generations Artists and a Borletti-Buitoni Trust award. They performed at venues such as Carnegie Hall, Concertgebouw, Musikverein, Barbican Centre and Wigmore Hall. Each disc they recorded for Hyperion Records was met with the deepest praise from national press and the major music magazines. The trio often collaborated with exceptional pianists such as Paul Lewis and Marc Andre Hamelin, with whom they also made recordings for Hyperion.
Kate is now thrilled to be focusing on the piano trio repertoire with her present group, the London Bridge Trio, with violinist David Adams and pianist Daniel Tong. She set up the flourishing Winchester Chamber Music Festival for the group, which celebrated its tenth year in April by commissioning a new trio by Colin Matthews. She also established the Ironstone Chamber Music Festival with her sister, violinist Lucy Gould, which takes place in September in the distinctive ironstone villages of north Oxfordshire. She is a regular guest at other special festivals around the world, such as Festival de los Siete Lagos in north Patagonia, Argentina, Sunnmore Chamber Music Festival, Norway, Peasmarsh Chamber Music Festival, Wye Valley Chamber Music Festival and Penarth Pier Chamber Music Festival.
Since 2000, Kate has been a member of the Chamber Orchestra of Europe. She is invited as guest principal cellist of many orchestras in the UK, most frequently Royal Northern Sinfonia, Royal Philharmonic Orchestra, BBC National Orchestra of Wales and Scottish Chamber Orchestra.
In September 2017 she started teaching at the Welsh College of Music and Drama. In addition to private teaching, other teaching includes performance classes at the Royal Academy of Music, annual classes and orchestral sectionals at the Festival de los Siete Lagos, Argentina, coaching the cello section of the Ulster Youth Orchestra and numerous public masterclasses at chamber music festivals world-wide.
Polish violinist Maria Włoszczowska is recognised for her versatile musicianship, performing as soloist, director/concertmaster and chamber musician.
Maria gave her debut recital at the Wigmore Hall in 2016 with pianist Alasdair Beatson, who has since become a frequent duo partner, and she appeared there last season both in recital and chamber music concerts, as well as featuring in several BBC Radio 3 broadcasts. She performs regularly at international festivals such as Musikdorf Ernen in Switzerland, Lammermuir Festival, IMS Prussia Cove, Festival Resonances in Belgium and Enghien International Musical Encounters as well as a residency at Yellow Barn, Vermont. Distinguished artists such as Jeremy Denk, Bengt Forsberg and Dinis Sousa have joined her in recital and other chamber music partners have included Thomas Adès, Philippe Graffin, Benjamin Grosvenor, Steven Isserlis, Steven Osborne, Hyeyoon Park, Timothy Ridout and the Doric String Quartet.
Recent seasons have seen solo appearances with UK and international ensembles, including the Janáček Philharmonic Ostrava, Concerto Budapest, Pauliner Barockensemble as well as symphonic and chamber orchestras in her home country of Poland. In June 2021 she was appointed Leader of the Royal Northern Sinfonia, with whom she directs a number of programmes; this season she also undertakes projects as a guest leader of the Chamber Orchestra of Europe and the Deutsche Kammerphilharmonie Bremen.
Recipient of the Royal Philharmonic Society’s Emily Anderson Prize, the Hattori Foundation Senior Award and Poland’s Minister of Culture and National Heritage Prize, she based herself in the UK after completing her studies at the Guildhall School of Music and Drama with Hungarian violinist and conductor András Keller. In 2018 she won both First Prize and Audience Prize at the XXI Leipzig International Johann Sebastian Bach Competition.
Maria plays on a violin by Tomasso Balestrieri.
Nimrod Guez was appointed Principal Viola of the Chamber Orchestra of Europe in May 2019.
Born in Israel in 1977, he started playing the violin at the age of seven. His teachers were Nahum Liebermann, Ilona Feher, Shlomo Tintpulver and Haim Taub. After meeting Tabea Zimmermann at the age of 16, he decided to shift to viola and started studying at her class at the Frankfurt University of Music and Performing Arts in 1996. After five years, he moved to Luebeck in 2001 and continued his studies at the violin class of Professor Nora Chastain. Alongside his violin studies, Nimrod Guez attended viola classes with Professor Barbara Westphal from 2002 to 2004.
Nimrod Guez was a first prize winner of the”Aviv” competition in 2002.
In 2005 he became 1st principal violist at the Gewandhaus Orchester zu Leipzig. From 2008 to 2012 he held the same position at the Symphonieorchester des Bayerischen Rundfunks.
Out of his great affection for early music, he has been playing the baroque violin since 2010. With musicians from the Bavarian Radio Symphonic Orchestra he founded “L’accademia giocosa”, an ensemble for early music.
In 2012, Nimrod Guez was appointed professor for viola at the Wuerzburg University of Music.
Nimrod Guez performs as a violin, viola and baroque violin soloist. He is a highly sought-after chamber musician. He plays alongside well-known artists such as Janine Jansen, Vilde Frang, Liza Ferschtman, Sebastian Klinger, Nicolas Altstaedt and Maximilian Hornung at various festivals, for instance the “Utrecht Kamermuziek Festival”(NL), the “Lockenhaus Chamber Music Festival” (AT) and “ErstKlassik”(Sarnersee, CH).