LvB 250

Beethoven’s music and spirit is at the very heart of the COE and we are excited to be celebrating his 250th birthday during 2020.

Beethoven was a true maverick, a composer of extraordinary importance who changed music and the sound of music in a revolutionary way so that it would never be the same again. We are incredibly proud of our recordings of his nine symphonies taken “live” in performance with the legendary Nikolaus Harnoncourt in 1990/1991. Nikolaus’s interpretation of these great works, where “beauty was always on the edge of catastrophe” had a life-changing effect on the COE’s musicians.

Other major partners in the COE’s Beethoven journey have included Claudio Abbado, Pierre-Laurent Aimard, Bernard Haitink, Leonidas Kavakos, Murray Perahia and Yannick Nézet-Séguin. A major highlight of our celebrations next year will be performing and recording two full Beethoven symphony cycles with Yannick in April at the Paris and Luxemburg Philharmonies.

In this particular context, the Chamber Orchestra of Europe and the German music publishing company Breitkopf & Härtel are proud to announce their collaboration and partnership for the upcoming concerts and recordings to celebrate “LvB 250” – Ludwig van Beethoven’s 250th birthday in 2020.

The Symphony Cycle under the baton of Yannick Nézet-Séguin will be using the now complete performance material featuring the musical text of the “New Beethoven Complete Edition” by Breitkopf & Härtel. “This is a premiere in more than just one aspect for all of us involved: conductor, orchestra and publisher. We are proud to join this wonderful and inspiring team of the COE”, Nick Pfefferkorn (CEO of Breitkopf & Härtel) says. “Especially in Symphony No. 9 one can literally hear and experience the difference, as Beethoven’s original and recently re-discovered Double Bassoon part is used for the very first time.”


Beethoven on tour

We are very much looking forward to celebrating the great composer’s 250th birthday with world-class conductors and soloists such as Martha Argerich, Joshua Bell, Rudolf Buchbinder, Renaud Capuçon, Vladimir Jurowski, Leonidas Kavakos and Jan Lisiecki.

August/September 2019: Piano Concerto Cycle I with Rudolf Buchbinder
30 August 2019 – Piano Concertos Nos. 1 and 5 – Musikfest Bremen, Bremerhaven, Germany
1 September 2019 – Piano Concertos Nos. 1 and 5 – Grafenegg Festival, Austria

February 2020: Piano Concerto No. 4 with Denes Varjon and Lorenza Borrani
4 February 2020 – Budapest Liszt Academy, Hungary
6 February 2020 – DeSingel, Antwerp, Belgium
7 February 2020 – De Oosterpoort, Groningen, Netherlands

April 2020: Symphony Cycle with Yannick Nézet-Séguin
It is with great disappointment that we have been advised that our concerts at the Philharmonie Luxembourg would no longer take place, due to the COVID-19 outbreak.
24 April 2020 – Symphonies Nos. 6 and 7 – Philharmonie de Paris, France
25 April 2020 morning – Symphonies Nos. 2 and 3 – Philharmonie de Paris, France
25 April 2020 evening – Symphonies Nos. 8, 4 and 5 – Philharmonie de Paris, France
26 April 2020 – Symphonies Nos. 1 and 9 – Philharmonie de Paris, France

May 2020 – Kreutzer Sonata for violin and string orchestra with Renaud Capuçon
25 May 2020 – Kammermusiksaal, Berlin, Germany
28 May 2020 – Konzerthaus, Dortmund, Germany

June and July 2020: Piano Concerto cycle in Germany with Jan Lisiecki
8 June 2020 – Piano Concerto No. 2, Augenglaser Duo, Piano Concertos Nos. 1 and 3 – Klavierfest Ruhr, Konzerthaus, Dortmund, Germany
9 June 2020 – Piano Concertos Nos. 4 and 5 – Klavierfest Ruhr, Philharmonie Essen, Germany
10 June 2020 – Piano Concertos No. 4 and 5 – Mozartfest, Residenz, Würzburg, Germany
12 and 13 June 2020 – Forum am Schlosspark, Ludwigsburg, Germany
9 and 10 July 2020 – Rheingau Musik Festival, Kurhaus, Wiesbaden, Germany
12  July 2020 – Symphony No. 7 and Violin Concerto with Alan Gilbert and Lisa Batiashvili – Audi Sommerkonzerte, Stadttheater, Ingolstadt, Germany
15 July 2020 – Schleswig-Holstein Musik Festival, Kieler Schloss, Kiel, Germany
16 July 2020 – Schleswig-Holstein Musik Festival, Musik- und Kongresshalle, Lübeck, Germany
More dates to be announced.

August 2020: Beethoven tour with Joshua Bell
Programme: Coriolan Overture, Violin Concerto, Symphony No. 3 ‘Eroica’
Spain, Finland, Germany.
Dates and locations to be announced.

September 2020: Piano Concerto Cycle II with Rudolf Buchbinder
6 September 2020 – Piano Concertos Nos. 2, 3 and 4 – Grafenegg Festival, Austria

October 2020: Violin Concerto with Sir Roger Norrington
Date, location and venue to be announced.

November 2020: Piano Concerto No. 1 with Martha Argerich and Vladimir Jurowski
25 November 2020 – Philharmonie de Paris, France
26 November 2020 – Kölner Philharmonie, Cologne, Germany
Other dates and locations to be announced.


Beethoven credentials

Beethoven symphonies recording with Nikolaus Harnoncourt (1991)

The Beethoven recordings of the Chamber Orchestra of Europe in 1991 under Nikolaus Harnoncourt represented then the culmination of what can now be seen as the beginning of a long-standing artistic collaboration and friendship.
Indeed, the first encounter ever of these two forces was a pure Beethoven project – something which, in retrospect, seems so obvious and natural.

The first rehearsals in October 1986 took place in a musty recording studio in the bowels of the Wiener Konzerthaus. This musical “blind date” was arranged by an adventurous (visionary?) impresario and subtly nudged along by a handful of COE members who had contact with Nikolaus Harnoncourt through other ensembles.

At the time no one could have foreseen the outcome of this venture. Beethoven’s Sixth and Eighth Symphonies, both pieces the COE had performed extensively, were the first to be rehearsed and the impressions of those earliest rehearsals remain strongly implanted in our minds.

Nikolaus Harnoncourt’s strong musical-historical perspective, combined with his extraordinary imagination and his ability to effectively communicate and synthesise them both, quite naturally matched the COE’s desire for “answers” and its ability to transfer – usually very quickly – complex concepts into the orchestral context. We quickly and readily grasped the ides and techniques of a rhetorical approach to music-making. The similarities and differences of modern orchestral instrumentarium and that of our 18th- and 19th-century counterparts were also consciously and critically reconsidered in regards to developing a playing style (our use of historically-oriented brass and timpani being the most obvious aspect of this). The results were often instantaneous. The “Pastoral” Symphony with its clear programme was perhaps the most eye-opening example. The Scene at the Brook or the Thunderstorm for example, were alive with flow and power of “nature” as we had collectively never experienced it in this music before. A “journey” through the antique church modes over cantus firmus style motives in the last movement of the Eighth Symphony – a piece we thought we knew well – had more than a few of us thinking “… is he making this up?” He was not.

The monumental Fifth Symphony ended our first set of concerts. Playing this piece for the first time, the Orchestra was possessed by the music and the new musical language it was learning. So possessed was it, in fact, that still today many cannot remember how the concert actually was. One certain memory is that, after the final chord there was only silence followed by a loud groan from a member of the audience and then a spattering of applause which slowly grew.

Dane Roberts
COE Double-Bass

Nikolaus Harnoncourt and the COE



Released November 2019: Warner Music’s Beethoven Complete Works

On 29th November 2019, Warner Music released its first-ever Beethoven Complete Works in an 80-CD box-set. We are delighted to feature on a significant number of discs, particularly with Nikolaus Harnoncourt, as well as alongside Pierre-Laurent Aimard and Gidon Kremer amongst other soloists. Warner tells us that the box-set “draws discerningly on the riches of the label’s catalogue, assuring integrity by assigning entire cycles to the same artist, ensemble or team of performers. Classics from the age of the LP are complemented by the best of the CD era and by a wealth of new recordings of rarely heard works that are ripe for discovery. This is a comprehensive and deeply satisfying tribute to Beethoven, a transformative force who has enhanced the lives of music-lovers for more than two centuries.”
Please click here to watch the trailer for the collection, which includes archive footage of the COE rehearsing the symphonies with Nikolaus Harnoncourt.
To order your box-set, please click here:




The Chamber Orchestra of Europe and IDAGIO are delighted to announce their partnership: starting 1st January 2020, the Chamber Orchestra of Europe is now a Distinguished Partner of IDAGIO and IDAGIO is the Official Audio Streaming Partner of the COE. Since its launch back in 2015 at the Salzburg Festival, the platform has gone from strength to strength and by October 2019, more than 1.6 million had downloaded the IDAGIO app. IDAGIO has users in 180+ countries and is the global distribution platform for classical music recordings.

You can listen to most of the COE’s Beethoven recordings on our special IDAGIO playlist, created in celebration on Beethoven’s 250th birthday.


Past concerts

Past Beethoven concerts

The COE has performed Beethoven with the world’s greatest conductors and soloists over the past 39 years:


Claudio Abbado ~ Roberto Abbado ~ Salvatore Accardo ~ Tom Adès ~ Paavo Berglund ~ Herbert Blomstedt ~ Frans Brüggen ~ Semyon Bychkov ~ Myung Whun Chung ~ Sir Colin Davis ~ Ivan Fischer ~ Sir John Eliot Gardiner ~ Carlo Maria Giulini ~ Mirga Grazinyte-Tyla ~ Bernard Haitink ~ Nikolaus Harnoncourt ~ Heinz Holliger ~ Philippe Jordan ~ James Judd ~ Vladimir Jurowski ~ Emmanuel Krivine ~ Lorin Maazel ~ Neville Marriner ~ Ingo Metzmacher ~ Kent Nagano ~ Yannick Nézet-Séguin ~ Sir Roger Norrington ~ Georges Prêtres ~ Jukka-Pekka Saraste ~ Alexander Schneider ~ Robin Ticciati ~ Michael Tilson-Thomas ~ Sandor Végh


Salvatore Accardo ~ Pierre-Laurent Aimard ~ Piotr Anderszewski ~ Martha Argerich ~ Vladimir Ashkenazy ~ Emanuel Ax ~ Cecilia Bartoli ~ Lisa Batiashvili ~ Stephen Bishop-Kovacevich ~ Frank Braley ~ Rudolf Buchbinder ~ Gautier Capuçon ~ Renaud Capuçon ~ Friedrich Gulda ~ Clemens Hagen ~ Janine Jansen ~ Leonidas Kavakos ~ Evgeny Kissin ~ Gidon Kremer ~ Cecile Licad ~ Radu Lupu ~ Viktoria Mullova ~ Murray Perahia ~ Francesco Piemontesi ~ Maria João Pires ~ Christian Poltera ~ Jean-Bernard Pommier ~ Sir András Schiff ~ Rudolf Serkin ~ Christian Tetzlaff ~ Stefan Vladar ~ Lars Vogt ~ Yuja Wang ~ Thomas Zehetmair ~ Frank Peter Zimmermann ~ Nikolaj Znaider

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